selforganisation



There is no alternative: THE FUTURE IS SELF-ORGANISED



Part 1

As workers in the cultural field we offer the following contribution to the debate on the impact of neoliberalism on institutional relations:

In their scramble for survival, cultural and educational institutions have shown how easily they can betray one set of values in favour of another and that's why our task now is to demand and adhere to the foundational and social principles they have jettisoned, by which we mean: transparency, accountability, equality and open participation.

The only question that remains is how to get rid of the carcass and deal with the stench:

There is no alternative! The future is self-organised.

Self-organisation is:

We put a lid on the bourgeois project, the national museums will be be stored in their very own archive, the Institutes of Contemporay Art will be handed over to the artists unions, the Universities and Academies will be handed over to the students, Siemens and all the other global players will be handed over to their workers. The state now acts as an administrative unit - just as neoliberalism has suggested it - but with mechanisms of control, transparency accountability and equal rights for all.

END



Stephan Dillemuth in Munich, Anthony Davies in London and Jakob Jakobsen in Copenhagen June 12, 2005

 

Disclaimer:
This text can be freely distributed and printed in non-commercial, no- money contexts without the permission of the authors.

It was originally conceived as a pamphlet with the aim of disrupting the so-called critical paths and careers being carved out by those working the base structure of the political-art fields. We're aware of contradictions, limits and problems with this text and invite all to measure the content in direct relation to the context in which it may appear. In fact, it has come as no surprise to us that its dodgy legitimising potential has been most keenly exploited by those it originally set out to challenge.

Having let it fly we now invite you, the reader, to consider why it's in this publication/exhibition, whose interests it serves and the power relations it helps to maintain.